Ebook Free , by Theodore Baker
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, by Theodore Baker
Ebook Free , by Theodore Baker
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Product details
File Size: 155455 KB
Print Length: 120 pages
Publisher: G. Schirmer, Inc. (November 1, 1986)
Publication Date: November 1, 1986
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00BFUORGC
Text-to-Speech:
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Amazon Best Sellers Rank:
#113,364 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Chances are if you've taken piano lessons, you've come across this book at some point. Just to be different, I'll explain this book to you by age:Under 10: So many notes. So boring. Very chance of wrist injury.This book is premature for a little kid unless they want a reference for scales. If you practice daily or even a few times a week, with a few scales here and there, chances are your hands are in good enough shape that you don't really need this book.10-14: Time to separate the wheat from the chaff! Now that you can read music really well, you can focus on the techniques in the book. You should be able to understand what each exercise is trying to improve, instead of fixating on getting the notes right. This will help you get to a higher level if you can read music well and want your playing to sound better.14-18: You should get this book if you're looking to take music exams or study music in university, OR you want to spite your piano teacher's stupid jerky student that plays sonatinas really well or shows great agility in his or her technique. Or if you want to date someone that's really impressed by arpeggios. Otherwise, don't torment yourself and go play something enjoyable instead. You will eventually learn to love some of the genres (jazz, baroque, contemporary) that your teachers made you learn, but you will never come to love this book.18+: If you've been out of lessons for a few years and are getting back into piano, it's worth picking this up to speed up your transition back into playing regularly. It will help if you can tell that you don't sound as good as you used to.
I am amazed at my progress since tackling these exercises. They appeared difficult when I first received it, so I put it on a shelf and promptly forgot about it for several months. As my sight reading improved somewhat, I chanced across it and decided to make the effort to play at least a few of the exercises. Now I am playing the first 31 exercises on an almost daily basis. I doubt I will ever have the chops to play some of the more difficult exercises that appear in Part III, but I have definitely progressed in the few months that I have been playing them. At first, I did not look forward to what appeared to be dry exercises in octaves, (the left hand mirrors the same notes in the right hand). The reason the octave interval is chosen is to immediately alert the ear in the event of not striking the notes either accurately or together,while learning the exercise. The reward for this effort is encountered in exercise 31, where the hands are moved apart by an octave and a third. Once mastered, you can do this with any of the foregoing exercises and the effect is used again in some of the later exercises. The effect is quite beautiful and variations of it appear throughout the piano repertoire. One annoying thing is that the edition is not spiral bound. I took mine to FedEx to have it spiral bound,as you do a lot of page flipping if you decide to go for it...
There has been some argument regarding the value of Hanon exercises. I don't belong to either of the extreme camps, but use Hanon to address weaknesses in technique, not to become a Hanon expert (for example, I don't agree with the advice that the entire 60 exercises be played every day -- sheesh!). I recommend playing Nos. 1-10 as warmups and Nos. 42, 43 regularly, then picking and choosing other exercises to suit whatever difficulties crop up along the way. Might as well buy the complete edition rather than separate Vols. I, II, III, as it's quite inexpensive. Take it to Kinko's or Staples to have it spiral-bound for ease of use.
Yee-gads! The print looks like it's been copied over 1,000 times and is very difficult for me as I wear bifocals. The print looks pretty small and causes eye strain. The cover and binding is good quality so it appears to be relatively durable. The open type spine is essential for practing the scores, and remaining open Trust me...you don't want a regular book style. I wish I would have bought something from local music store so I could have inspected it better. I am keeping it and may replace it at a later time. I have heard there is a Hanon book you can download and print out that is very nice and larger more readable notes.
Provided that you work hard, you'll notice improvement super quick. As any teacher would tell you, start at a slow tempo, with a mentronome, and only speed up once you are able to produce a smooth in-time sound.I find the repetitiveness of the exercises quite soothing. I believe they are actually a great form of meditation.Happy piano playing!
First time I've used this book in forty years. I've just used it for 10-15 minutes for two weeks, and my piano playing has already improved immensely. Don't wait for forty years! Get this book now, and use it! I'm a jazz musician, by the way, and cannot read much besides chords and melody lines. But no matter. If you play piano--or "keyboards"--this will greatly enhance the way your hands interact with the keys.
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